<H1> Jan Sochor Photography </H1> |
<H1> </H1> |
<H1> Queens of the backstreets </H1> |
<H1> Fear in El Salvador </H1> |
<H1> Digital geishas </H1> |
<H1> Men in the river stream </H1> |
<H1> Palo </H1> |
<H1> Murderball </H1> |
<H1> Free my soul </H1> |
<H1> Sugar cane cutters </H1> |
<H1> Shark slaughter </H1> |
<H1> Warrior queens </H1> |
<H1> Comandante and the people </H1> |
<H1> Forgotten exodus </H1> |
<H1> Semana Santa Cora </H1> |
<H1> Hunger and Rage </H1> |
<H2> Photo essays </H2> |
<H2> Men in the river stream </H2> |
<H2> Fear in El Salvador </H2> |
<H2> Hunger and rage </H2> |
<H2> Sugar cane cutters </H2> |
<H2> Semana Santa Cora </H2> |
<H2> Comandante and the people </H2> |
<H2> Shark slaughter </H2> |
<H2> Digital geishas </H2> |
<H2> Forgotten exodus </H2> |
<H2> Murderball </H2> |
<H2> Free my soul </H2> |
<H2> Men in the river stream </H2> |
<H2> Queens of the backstreets </H2> |
<H2> Queens of the backstreets </H2> |
<H2> San Salvador, El Salvador </H2> |
<H2> El Salvador </H2> |
<H2> Medellín, Colombia </H2> |
<H2> Cartago & Puerto Berrío, Colombia </H2> |
<H2> Santiago de Cuba, Cuba </H2> |
<H2> Bogota, Colombia </H2> |
<H2> Mexico & Colombia </H2> |
<H2> Valle del Cauca, Colombia </H2> |
<H2> Manta & Puerto López, Ecuador </H2> |
<H2> Mexico City, Mexico </H2> |
<H2> Cuba </H2> |
<H2> Colombia </H2> |
<H2> Nayarit, Mexico </H2> |
<H2> Port-au-Prince, Haiti </H2> |
<H3> </H3> |
<H3> Photo essay from Colombia </H3> |
<H3> Photo essay from El Salvador </H3> |
<H3> Photo essay from Haiti </H3> |
<H3> Photo essay from Colombia </H3> |
<H3> Photo essay from Mexico </H3> |
<H3> Photo essay from Cuba </H3> |
<H3> Photo essay from Ecuador </H3> |
<H3> Photo essay from Colombia </H3> |
<H3> Photo essay from Colombia </H3> |
<H3> Photo essay from Colombia </H3> |
<H3> Photo essay from Mexico & Colombia </H3> |
<H3> Photo essay from Colombia </H3> |
<H3> Photo essay from El Salvador </H3> |
<H3> Photo essay from El Salvador </H3> |
<H5> Random photoblog posts </H5> |
<H5> Selected publications </H5> |
<H5> Vybrané reportáže & fotoreportáže </H5> |
<H6> Photo essays </H6> |
<H6> Passion of Christ (Lima, Peru) </H6> |
<H6> Prison (Tonacatepeque, El Salvador) </H6> |
<H6> Yemanjá: Candomblé cult in Bahia ... </H6> |
<H6> Chased by a bull at Corralejas (Soplaviento, ... </H6> |
<H6> Childhood in the circus (San Salvador, El ... </H6> |
<H6> Exorcism in Bogota (Bogota, Colombia) </H6> |
<H6> Women of the La Saline Market (La Saline, ... </H6> |
<H6> Slavnost pána neštovic (Salvador, Brazílie) </H6> |
<H6> Mravenčí byznys (Tecun Uman, ... </H6> |
<H6> Bazuco in the hand (Medellín, Colombia) </H6> |
<H6> Life-saving operation (San Salvador, El ... </H6> |
<H6> Caribbean visual art (Cartagena, Colombia) </H6> |
<H6> Seagulls in the port of Málaga (Málaga, ... </H6> |
<H6> Smoking bareto in Barrio Triste (Barrio ... </H6> |
<H6> Malecon, Havana (Havana, Cuba) </H6> |
<H6> Aymara woman looks down from El Alto (La ... </H6> |
<H6> Aztec death worship ritual (Tepito, Mexico ... </H6> |
<H6> A Cuban musician (Santiago de Cuba, ... </H6> |
<H6> Samba in Rio de Janeiro (Rio de Janeiro, ... </H6> |
<H6> Exorcism ritual (Valle del Cauca, Colombia) </H6> |
<H6> Water scarcity in Die Zeit </H6> |
<H6> Vintage letterpress print shop on BBC </H6> |
<H6> Selaron's Stairs in Los Angeles Times </H6> |
<H6> Wheelchair rugby… on CNN </H6> |
<H6> Fear in El Salvador on Al Jazeera </H6> |
<H6> Contraband in Time </H6> |
<H6> El Chepe train in The Washington Post </H6> |
<H6> Santa Muerte in The Times </H6> |
<H6> Selaron's Stairs in El País </H6> |
<H6> Chasing the homeboys in Daily Mail </H6> |
<H6> El Chepe train in Vogue </H6> |
<H6> Warrior Queens in ABC News </H6> |
<H6> Selaron's… in National Geographic </H6> |
<H6> Swamp people in GEO </H6> |
<H6> Santa Muerte in Süddeutsche Zeitung </H6> |
<H6> Santa Muerte in The Guardian </H6> |
<H6> Boxing dreams in ESPN Deportes </H6> |
<H6> Swamp people in Science </H6> |
<H6> Carnival in Santiago de Cuba in Vanity Fair </H6> |
<H6> La Saline market in The Economist </H6> |
<H6> Voda nad zlato (Peru) </H6> |
<H6> Tetované srdce (El Salvador) </H6> |
<H6> Hořká chuť cukru (Kolumbie) </H6> |
<H6> Zlato pod nebem (Peru) </H6> |
<H6> Hold strojům (Kolumbie) </H6> |
<H6> Královny bez korunek (Mexiko) </H6> |
<H6> Muži v proudu řeky (Kolumbie) </H6> |
<H6> Zoo Havana (Kuba) </H6> |
<H6> Selarónovy schody (Brazílie) </H6> |
<H6> Démoni z Nayaritu (Mexiko) </H6> |
<H6> Setkání ve tmě (Peru) </H6> |
<H6> Exorcista (Mexiko) </H6> |
<H6> Svatá Smrt (Mexiko) </H6> |
<H6> Útěk bez konce (Kolumbie) </H6> |
<H6> Teče krev, teče krev (Kuba) </H6> |
<H6> Sluneční město (Haiti) </H6> |
<H6> Comandante a lid (Kuba) </H6> |
<H6> Omega 13 (Venezuela) </H6> |
<H6> Harraga (Maroko) </H6> |
<H6> Život supa (Nikaragua) </H6> |
Social
Social Data
Cost and overhead previously rendered this semi-public form of communication unfeasible.
But advances in social networking technology from 2004-2010 has made broader concepts of sharing possible.